In one of art history’s greatest zigzagsmegapanalo, Robert Frank, who would have been 100 this year, renounced photography even before he was famous for it. “I put my Leica in a cupboard,” the Swiss-born artist recalled, soon after his masterpiece,
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At Brighton Electric, a warren of rock rehearsal spaces in an old brick tram depot in this English seaside town, young guitar luggers stream in and out while the thudding jams of baby bands reverberate throughout the building. But a corridor in the
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